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That were the people who performed secular music in the Middle Ages, and where did they come from? Is this true or false: Additionally, there were female troubadours, whose songs were performed to men from the point of view of a female character. Some passages were only used at mass on special occasions, like as Christmas, and others were used on a regular basis.* Some of the texts for mass were repeated on a daily basis.Seven tones are found in both church modes and contemporary scales.*They were the fundamental musical scales that were utilized throughout the Middle Ages and the Renaissance.There are also two upper voices with more dynamic, syncopation-based rhythyms to be found throughout the piece.There are two lower voices in the group.The vielle, which is a medieval Musical instrument, is used to provide the accompaniment for this particular performance.Hildegard is credited with writing the worldвЂ™s first surviving mortality play. Which of the following statements accurately describes the developments in music throughout the fourteenth century? Gregorian chants were heard in the background Theologian, scientist, and physician Hildegard of Bingen produced treatises on a variety of subjects. Polyphonic music was not always dependent on Gregorian chant, as was the case in the Renaissance. In relation to troubadours, which of the following claims is correct? * * Composers used drinking songs and birdcall imitations into their pieces. A majority of their songs dealt with courtly love, combat, and dancing. *Approximately 1,650 of their tunes have been saved. For English psalm verses, it is probably wiser to use psalm tones written for the English language. The Gregorian psalm tones are well suited to the Latin language, but do not work very well with English accents, unless one takes freedom in adapting them.

By Gregorian psalm tones, however, we mean a set of particular melodies, one for each of the Gregorian modes, always in the form of two measures.

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They are much like Gregorian chant psalm tones with their free rhythm and their repeatable melodic formulas. But the musical style is quite different: metered and with choral harmonies and/or instrumental accompaniments.Many psalm tones have been written since the Second Vatican Council. TaizГ© chants, for example, are generally in Latin, similar to Gregorian chant antiphons. Gregory the Great (590вЂ“604) certainly did not play a role in the creation or compilation of our chant melodies, popular legend led the church to name Gregorian chant after this great leader.Many other types and styles of music are similar to Gregorian chant or inspired by it, but one should distinguish them from Gregorian chant. (Among possible exceptions are chant hymns, since the melodies are formulaic and are not intrinsically tied to the Latin text.) Gregorian chant is in free rhythm, without meter or time signature.Because the liturgy was sung almost entirely in Gregorian chant in the Middle Ages (with polyphony saved for special occasions), every type of liturgical text has been set in chant: readings, prayers, dialogs, Mass propers, Mass ordinaries, office hymns, office psalms and antiphons, responsories, and versicles. It was composed entirely in Latin and because its melodies are so closely tied to Latin accents and word meanings, it is best to sing it in Latin. For centuries it was sung as pure melody, in unison, and without accompaniment, and this is still the best way to sing chant if possible. Its texts are almost entirely scriptural, coming for the most part from the Psalter. What is Gregorian Chant вЂ“ GIA Publications Before reviewing the main Gregorian chant books and resources, perhaps it is good to state what Gregorian chant is.Gregorian chant is the churchвЂ™s own music, born in the churchвЂ™s liturgy.

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